If you send the clip my way, I can run it through the hardware samplers I have hooked up. 
It would be interesting to see how a same-year E-MU sampler compared to the soundcard, as well as see if any samples were retained from the Mirage-era into Soundscape. Interestingly enough, I find some of the Mirage samples are oddly familiar, and I wonder if they ended up in later libraries.
I definitely think the Soundscape has a very distinctive reverb that adds a lot to the sound- the bassoon and percussion is impressively large sounding for the era. The APS ends up so bland. The Yamaha I think has a cleaner mix than the Soundscape, but the reverb isn't as nice and the balance is a little off to me.
It would be interesting to see how a same-year E-MU sampler compared to the soundcard, as well as see if any samples were retained from the Mirage-era into Soundscape. Interestingly enough, I find some of the Mirage samples are oddly familiar, and I wonder if they ended up in later libraries.
I definitely think the Soundscape has a very distinctive reverb that adds a lot to the sound- the bassoon and percussion is impressively large sounding for the era. The APS ends up so bland. The Yamaha I think has a cleaner mix than the Soundscape, but the reverb isn't as nice and the balance is a little off to me.
Sample library developer, composer, and amateur organologist at Versilian Studios.
