Yeah, those are from SFZ 1.0.
The cool part is you can assign it to any CC- just change "11" to anything else (e.g. "1" might be a popular choice too).
You may find you get better or worse results from overlapping the crossfades partially versus completely.
How did you stop normal velocity from affecting the crossfade? Is that automatic? I've been approaching this challenge from a purely theoretical direction (I honestly haven't had time to just sit down and test with different opcode implementations)- any findings would be greatly appreciated- and possibly implemented into the automapper in the future.
The cool part is you can assign it to any CC- just change "11" to anything else (e.g. "1" might be a popular choice too).
You may find you get better or worse results from overlapping the crossfades partially versus completely.
How did you stop normal velocity from affecting the crossfade? Is that automatic? I've been approaching this challenge from a purely theoretical direction (I honestly haven't had time to just sit down and test with different opcode implementations)- any findings would be greatly appreciated- and possibly implemented into the automapper in the future.
Sample library developer, composer, and amateur organologist at Versilian Studios.
