08-28-2021, 02:02 PM
So, recently I noticed that there are times when I just don't know what to do: a track has a nice melody and a good rhythmic/bass line underpinning, but it's just not as full as I want it to sound. None of my usual routes were providing the answers I seemed to need, so I moused around for awhile and found this series of videos by Ryan Leach about McKay's orchestral textures. No doubt this is old news to the more experienced among us, but I found it pretty enlightening! Some things I guess I already knew, more or less, but having some nice audible examples really helps. I'm not much for reading notation, but the examples he uses are simple enough that the scores serve as a visual aid, almost like seeing piano roll tracks stacked on each other.
I included individual links to each texture's video below. There's a final one that just plays back all his different versions of the theme in each texture after Hybrid.
Intro to McKay's Eight Orchestral Textures
Monophonic Texture
Chordal Texture
Polyphonic Texture
Heterophonic Texture
Onomatopoeic Texture
Polythematic Texture
Homophonic Texture
Hybrid Texture
I included individual links to each texture's video below. There's a final one that just plays back all his different versions of the theme in each texture after Hybrid.
Intro to McKay's Eight Orchestral Textures
Monophonic Texture
Chordal Texture
Polyphonic Texture
Heterophonic Texture
Onomatopoeic Texture
Polythematic Texture
Homophonic Texture
Hybrid Texture