11-12-2018, 01:21 PM
I always prefer an ensemble patch when writing for strings. It is fine for chordal parts and unisons, as long as you arrange them with some realism in mind. The same thing goes for brass. I think of it as "I would like some strings/brass there", then write in my ensemble patch. I would only call for instrument patches when I want a certain instrument to play in a range that is "blendy" in the ensemble patch.
As for the woodwinds I always thought of them as "lead" or "support" instruments, given their distinct sound, so I can't conceive how an ensemble patch would be useful. Maybe 3 different ensembles, aeros, reeds and double-reeds?
As for the woodwinds I always thought of them as "lead" or "support" instruments, given their distinct sound, so I can't conceive how an ensemble patch would be useful. Maybe 3 different ensembles, aeros, reeds and double-reeds?
I'll follow back! 
