08-31-2018, 08:42 PM
Hi,
I like it, some thoughts...
I would try to make the stereo image of the noise waves wider, enclosing the percussion space. Could be a good idea to use a m/s compressor to compress the middle and leave the sides untouched.
I would use several layers of different filtered noise (automating each filter to add interest and variation), experiment with different send levels of each layer to the reverb (without early reflections, 0 predelay)
Try making the percussion much more wet (as in 70~100% wet), but with a reverb that is composed 100% of early reflections, then send the output of this reverb to the other one which is only tail, to taste.
I like it, some thoughts...
I would try to make the stereo image of the noise waves wider, enclosing the percussion space. Could be a good idea to use a m/s compressor to compress the middle and leave the sides untouched.
I would use several layers of different filtered noise (automating each filter to add interest and variation), experiment with different send levels of each layer to the reverb (without early reflections, 0 predelay)
Try making the percussion much more wet (as in 70~100% wet), but with a reverb that is composed 100% of early reflections, then send the output of this reverb to the other one which is only tail, to taste.
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