(07-10-2021, 06:47 PM)Mattias Westlund Wrote: [ -> ] (06-28-2021, 02:37 AM)Nayrb Wrote: [ -> ]I didn't realize that Swedish and German are that close. Is it similar in syntax?
It's not super similar. For a Swede, German is a bit like Yoda-speak, everything comes in the wrong order. I don't know if it's because I'm a language geek with a penchant for the fantasy genre, and thus have read a lot of archaic-tinged Swedish, but I definitely feel there's a strong resemblance between the languages.
I think English in the fantasy genre is also intentionally archaic. There's so much romanticization (that a word?) of the older forms and conventions of English in fantasy (not that I'm complaining, of course). A lot of it is kind of Yoda-speak to a modern speaker of English, in the end. As I'm sure you're more than aware
Syntax is very interesting. It's one of the more challenging aspects of learning a language. Old English (Anglo-Saxon) isn't very much like modern English at all in terms of the order in which stuff happens, and it even has cases, whereas modern English does not. I'm a fan of Maxims II from the Exeter Book. One passage, quoted in my
Teach Youreslf Anglo-Saxon book is pretty cool, and shows how alliterative the language was and how it had a neat rhythm to it. I'm going off the top of my head here for a translation. -an = the infinitive of a verb in OE:
...Cyning sceal on healle
beagas dælan. Bera sceal on hæðe,
eald and egesfull. Ea of dune sceal
flodgræg feran. Fyrd sceal ætsomne,
tirfæstra getrum. Treow sceal on eorle,
wisdom on were. Wudu sceal on foldan
blædum blowan. Beorh sceal on eorþan
grene standan. God sceal on heofenum,
dæda demend
"King shall on hall rings deal [to deal/dole out].
Bear shall on heath, old and terrible.
River of mountain [or hill] shall flood-gray [to] flow.
Troop shall [together...something, maybe shining to march or go forth??]
Truth shall on earl, wisdom on man [were = root of were-wolf?]
wood shall on fold [hillside?] [something] [to] bloom/blossom.
Town/city shall on earth green [to] stand. God shall on heaven deeds judge."
I'm always fascinated by this stuff. It seems our sense of rhythm in both music and speech are connected, and both are sort of half objective/half objective, based on our limited human faculties.